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Re: Active versus passive (WAS Displays versus Appears-Which One? )
Subject:Re: Active versus passive (WAS Displays versus Appears-Which One? ) From:Alan -dot- Miller -at- prometric -dot- com To:"TECHWR-L" <techwr-l -at- lists -dot- raycomm -dot- com> Date:Wed, 20 Dec 2000 14:28:53 -0500
>From our esteemed colleague from "Down Under" I read:
[snip]
<So the problem is: must editors also be English teachers? Or
<have we the right to assume a basic understanding of the
<rudiments of grammar and syntax?
<Michael West
<Melbourne, Australia
To which I feel compelled to reply:
Does not an editor's job include a certain amount of pedagogy? How much
grammar and syntax did you learn at the knee (or other favorite joint) of
your first editor? I know, the curricula for today's schools (at least here
in the Colonies) contain less rules-based grammar instruction than they did
mumble, mumble years ago when I was incarcerated ... I mean, attending
school. So, I never presume anything with a new writer. I evaluate what
(s)he has written, and guide accordingly. Of necessity, this does entail
certain limits. If the writer's work is incomprehensible, ungrammatical,
unpunctuated, and unspelled (okay, it's *not* a word, but I'm on a roll
here), or some combination of those; I'll not waste our time. I'll suggest
that (s)he move on to something else. Such cases are rare. Even today's
schools produce graduates that can at least write a complete sentence. The
subject and predicate may not always agree, but I can work with that. I
rather enjoy editing a talented and eager new writer. (Ah, to crush the
young spirit and hear the cries of pain and despair! To grind them under
the heel of the editorial boot!):-{)
Sorry for the tangential stream. Back to the topic.
My earlier comment about the current school curricula notwithstanding, I
have not observed a significant degradation of basic grammar and syntax
among the current generation of writers. Whatever it is that compels one to
become a writer is independent of formal schooling and will rise to the top
no matter what. Good writers have a good ear for language. I suspect (I'm
not a linguist, just an interested bystander) this leads one to
instinctively write correctly (whatever that means) because it *sounds*
right. My job, when wearing my editorial hat, is not only to correct but to
instruct. That is, I want my writers to know BOTH what and why. Saves me
from having to correct the same misteaks:-{) again and again.
There, I feel much better now.
Regards to all,
Al Miller
Chief Documentation Curmudgeon
Prometric(r), Inc.
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